SAUUSAGE RN I–X
SAUUSAGE RN I–X
Medium: Silkscreen, Acrylic & Ink on Paper
Dimensions: A3 — 11.7 x 16.5 in / 29.7 x 42 cm
Hand-signed by the artist
Includes Certificate of Authenticity signed by the artist
Each piece individually hand-numbered in pencil (RN I–X)
Description:
SAUUSAGE RN I–X is a series of ten individually screen-printed works, each featuring a bold, oversized sausage with the word “SAUUSAGE” emblazoned across it — spelled with an exaggerated extra “U” to mirror Northern English slang.
In everyday use, calling someone a “sausage” is a cheeky, good-natured insult — a way of saying someone’s being daft, harmlessly foolish, or just a bit of a plonker.
The playful elongation in the spelling adds a certain drawn-out deadpan charm.
Each print in this series is unique, with soft yet vivid backgrounds in hues of lilac, blush pink, and pale blue, offsetting the bold absurdity of the central form.
The sausages themselves are screen-printed in acrylic and ink, hand-pulled by the artist, with each edition marked in pencil from RN I to RN X.
SAUUSAGE belongs to the same conceptual world as the artist’s Helmet and Weapon series — exploring the absurd elevation of common objects and phrases into bold pop iconography.
At once deadpan and deliberate, the work leans into regional humour and everyday language, transforming banter into art.
It’s both celebration and satire — a loving nod to Northern working-class culture and its unapologetic wit.*
SAUUSAGE RN I–X
Medium: Silkscreen, Acrylic & Ink on Paper
Dimensions: A3 — 11.7 x 16.5 in / 29.7 x 42 cm
Hand-signed by the artist
Includes Certificate of Authenticity signed by the artist
Each piece individually hand-numbered in pencil (RN I–X)
Description:
SAUUSAGE RN I–X is a series of ten individually screen-printed works, each featuring a bold, oversized sausage with the word “SAUUSAGE” emblazoned across it — spelled with an exaggerated extra “U” to mirror Northern English slang.
In everyday use, calling someone a “sausage” is a cheeky, good-natured insult — a way of saying someone’s being daft, harmlessly foolish, or just a bit of a plonker.
The playful elongation in the spelling adds a certain drawn-out deadpan charm.
Each print in this series is unique, with soft yet vivid backgrounds in hues of lilac, blush pink, and pale blue, offsetting the bold absurdity of the central form.
The sausages themselves are screen-printed in acrylic and ink, hand-pulled by the artist, with each edition marked in pencil from RN I to RN X.
SAUUSAGE belongs to the same conceptual world as the artist’s Helmet and Weapon series — exploring the absurd elevation of common objects and phrases into bold pop iconography.
At once deadpan and deliberate, the work leans into regional humour and everyday language, transforming banter into art.
It’s both celebration and satire — a loving nod to Northern working-class culture and its unapologetic wit.*
SAUUSAGE RN I–X
Medium: Silkscreen, Acrylic & Ink on Paper
Dimensions: A3 — 11.7 x 16.5 in / 29.7 x 42 cm
Hand-signed by the artist
Includes Certificate of Authenticity signed by the artist
Each piece individually hand-numbered in pencil (RN I–X)
Description:
SAUUSAGE RN I–X is a series of ten individually screen-printed works, each featuring a bold, oversized sausage with the word “SAUUSAGE” emblazoned across it — spelled with an exaggerated extra “U” to mirror Northern English slang.
In everyday use, calling someone a “sausage” is a cheeky, good-natured insult — a way of saying someone’s being daft, harmlessly foolish, or just a bit of a plonker.
The playful elongation in the spelling adds a certain drawn-out deadpan charm.
Each print in this series is unique, with soft yet vivid backgrounds in hues of lilac, blush pink, and pale blue, offsetting the bold absurdity of the central form.
The sausages themselves are screen-printed in acrylic and ink, hand-pulled by the artist, with each edition marked in pencil from RN I to RN X.
SAUUSAGE belongs to the same conceptual world as the artist’s Helmet and Weapon series — exploring the absurd elevation of common objects and phrases into bold pop iconography.
At once deadpan and deliberate, the work leans into regional humour and everyday language, transforming banter into art.
It’s both celebration and satire — a loving nod to Northern working-class culture and its unapologetic wit.*